Jorinde Voigt

Jorinde Voigt | WV 2008- 040 | O.T. (Pfeile / Richtungswechsel)
| 115 x 171 cm | Bleistift, Tinte auf Papier | Berlin, 2008 | Unikat

Jorinde Voigt | WV 2008- 040 | O.T. (Pfeile / Richtungswechsel)
| 115 x 171 cm | Bleistift, Tinte auf Papier | Berlin, 2008 | Unikat (Detail)

Jorinde Voigt | WV 2008-092 bis 096 | 1/5/4/3/2/1 (A) bis 5/4/3/2/1/5 (E) | 77 x 57 cm jeweils | Bleistift, Tinte auf Papier | Berlin, 2008 | Unikate


Jorinde Voigt | WV 2008-095 | 4/3/2/1/5/4 (D). (Wirbel (4 x 1/4) insgesamt 19 min.; Strom (3), Rythmusmaschine/Doppleter Akustischer Impuls (2); Doppelte Fraktalsequenz (Stufe 1); Popsong (Titel 1 + 2 + 3 + 4 + 5); 2 küssen sich - Aktionsablauf (4 Paare), Standpunkte (4)) | 77 x 57 cm | Bleistift, Tinte auf Papier | Berlin, 2008 | Unikat


Jorinde Voigt | WV 2008-095 | 4/3/2/1/5/4 (D). (Wirbel (4 x 1/4) insgesamt 19 min.; Strom (3), Rythmusmaschine/Doppleter Akustischer Impuls (2); Doppelte Fraktalsequenz (Stufe 1); Popsong (Titel 1 + 2 + 3 + 4 + 5); 2 küssen sich - Aktionsablauf (4 Paare), Standpunkte (4)) | 77 x 57 cm | Bleistift, Tinte auf Papier | Berlin, 2008 | Unikat (Detail)


Exhibition view. 29.03.2008 - 17.05.2008 – „ReWrite / Constellation of One“, Galerie Fahnemann, Berlin, D




via jorindevoigt.com

Extratextually Terrestial (Paper topographies: 2)

Extratextually Terrestial (Paper topographies: 2)

"Given a certain acquaintance with the Metaphysics of Spirals, it is possible to represent a landscape using one single continuous line..."
So we read at Chronotext.org, where we find this fascinating take on The Book of Isaiah, Chapter 40 – here, topographically re-typeset as a literally Biblical terrain. The text itself is suitably geographical in reference, detailing "the return of exile, from Babylon to Jerusalem, through the wilderness."


Much more – including terrestrial wave-animations and other forms of textual "terrain generation" – at Chronotext.org.

(Via Coudal. Earlier: Paper topographies: 1).

from bldgblog

Words and images

we make money not art: art in new york: "Words and images have been combined in traditional embroidered samplers for more than 500 years, and many contemporary artists give their own twist to the convention. Tilleke Schwarz, for example, embroiders texts and images she finds in her daily life from letters to editors that have caught her attention to images from television.

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Tilleke Schwarz, Count your Blessings

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Tilleke Schwarz, Into the Woods"