12.14.2008

Serial Departure

we make money not art: art in California: "I wish i had been in LA in the Summer of 2004 to see Rob Ley's Serial Departure. The installation demonstrated that a simple and inexpensive material such as pine furring strips could be infused with a sophistication usually reserved for high-end materials.
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Serial Departure

By projecting digital information onto the fabrication bed, a system emerges in which curves developed through design in 3D modeling applications could be precisely replicated with a piece of wood. A variable jig composed of a pegboard and adjustable cams allows for the production of an almost unlimited number of unique curvatures, moving beyond the limitations of one mold equals one form. More interesting is that this same process allows for material feedback into the digital model. If at any point, the curvature exceeds the bending capacity of the wood, the computer model is adjusted to match the maximum profile the wood is able to bear. In this way, a feedback loop is created as information flows from the digital, to the real, and back into the digital."